Susan Buret, Life in Cuba 1,©2010, acrylic and paper on Panelpop, 30 cm x 30 cm.
In the second part of her article Art, Labour, Love in the September issue of Art Monthly Australia, Pat Hoffie begins 'For artists it is true that they cannot know what they think until they see what they make'.
As I mentioned in a recent post about Artists' Statements , it is often difficult to nail the conceptual bases of one's work concisely and clearly. I have recently been making some smaller works to show at my open studio as part of the Southern Highlands Arts Trail in November (more about that later).
These works including Life in Cuba 1, above, arose form my interest in maps and boundaries and treatment of those who breach boundaries which led to the reintroduction of collage in some larger works. Recent news about events in detention centres in Australia led me to think about Cuba and Guantanamo Bay. Now (stay with me if you can!), when I tried to find a map of that area in Cuba I found that the relevent bits had been blanked out! I then went on to think about the ridiculous blockade of Cuba by the US which has resulted in Cuba existing in a state of rather beautiful decay .....I had these lovely Panelpop surfaces which I had got in Melbourne and when I applied a wash to them I suddenly had the feeling of weathered plaster walls and the works Life in Cuba came into being.
Dragonflies and Butterflies fly freely across border but we don't. I would love to go to Cuba but I can't believe that I must fly via Canada and the route to the greyed out region of Guantanamo Bay doesn't bear thinking about.
