Showing posts with label Joanne Mattera. Show all posts
Showing posts with label Joanne Mattera. Show all posts

Wednesday, February 10, 2010

Open Studio.

Susan Buretmist 2, (detail),© 2010, acrylic on linen, 150 cm x 105 cm

I am opening my studio on Saturday evening to preview works for my exhibition at Anita Traverso Gallery in May. I am a little nervous as it will be the first time many of the people have seen my work. It's a different setting to having an opening in a gallery with a new studio, new work and new audience. I hope I am not so overwhelmed that I won't be able to observe and assimilate the reaction to the work. Stay tuned for a report and in the meantime have a look at Joanne Mattera's excellent report on the pros and cons of self marketing as opposed to using the gallery system. 

Wednesday, October 28, 2009

How Do I Define Myself


Susan Buret. Portmanteau. 2009 ©. Detail.

Most of the work I make has dealt with ideas of definition, categorization and identity and it is only recently that I have explored ideas of displacement from a more subjective viewpoint. As someone new to the community I have to introduce myself and find that I am often asked to describe myself or my work. What is expected as a reply is a short answer which will give the person to whom I am talking a 'snapshot' of Susan Buret, artist, and will be the deciding factor as to whether the conversation or friendship will continue. I find this very difficult even though I have been taught that I should always have my elevator blurb at the ready.
In a recent post Joanne Mattera discussed the negative effects of categorization that arise when an adjective is used before the term artist. I had not really thought about this issue before but over-description does result in being consigned to a 'ghetto'. Have you experienced this when you have been asked to describe your work in a social or professional encounter.
I am going to work on a new elevator blurb which hopefully I will post soon.  

Saturday, September 12, 2009

An Artist's Life

It’s the first warm (short sleeves) day of spring so I feel guilty about being indoors at the computer but I had to write this post as it has been in my head since last Monday and threatens to disappear.
Last Sunday night I say writer and former restaurateur Gay Bilson being interviewed about happiness.
For several years she has lived alone in the McLaren Valley, a wine producing area in South Australia. She spends her time gardening, cooking with the local produce, writing and indulging in her favourite pastime, reading. Her book Plenty talks about food and her life.
Lacking any capacity for loneliness, she made the point that it is not an extravagant life in the monetary sense but that she felt that being able to do exactly what she wanted was a source of great happiness. She also said that having plenty of what she enjoyed was a prerequisite for creativity and happiness.
I though that what she said was true and described the life led by a lot of artists. The stereotype of starving in a garret, partying and indulging in excesses is a romantic vision that most artists probably leave behind a few years after graduating.
Later in the week I encountered similar references to an artists life. Joanne Mattera has recently visited the studios of several artists and her post about her visits to Mary and Craig Barnes and Gerald Coble and Bob Nunnelly was filled with pictures of the good life which were remarkably similar to the images of Gay Bilson’s garden and the millions of spring garden images that I long to post on this blog, I hesitate to in case it looks like a gardens illustrated rather than an artist's blog. It’s a dilemma but here is just one image of the spring blossoms in my garden of plenty. What is your artist's life like?