Susan Buret, Where Corals Lie, ©2010, Acrylic on Linen, 150 cm x 105 cm.
Wednesday, September 29, 2010
Monday, September 20, 2010
Detail New Work
Artist's statements are approached with varying degrees of trepidation by artists. After all we choose to be visual artists and not writers.
For the past few years I have found statements relatively easy to write and have enjoyed the clarity they afforded me. However I am wrestling with the statement for my newest body of work.
Collage has reappeared in my work again for a number of reasons. I had previously stopped shredding passport and visa images as I felt that I had said what I wanted and to continue to make the work however comfortable it was to produce I would be comprimising the integrity of the older work. I had also been feeling the need to paint after spending time at Ragdale and since my move I had been seduced by my surroundings and felt the need to explore this. I had moved from one comfortable and safe environment to another and wanted to paint and paint.
I loved playing with the paint and working with the imagery from the geometric patterns that have always been part of my work as for me they somehow symbolize the claiming of space. However in the back of my mind I knew that this was not my 'real' voice.
Then we were inundated with news of the election and the constant new arrivals of boat loads of refugees.
As the politicians scanned the maps looking for somewhere to put these people with the same fervour that they might look for a place to sight a waste dump I started looking at maps.
On the most superficial level they are almost as pretty as passports. But what are they for? You can find your way by the stars but you can also use maps to store information about ownership, weather patterns, geology etc. So for much the same reasons that I shredded identity documents I have started cutting up maps and floating the fragments on new works. To add further complication, even though I work with my back to the windows the colours of the seasonal changes in my new environment continue to appear in the works.
So how to make an artist's statement that makes sense of all of this?
I often listen to Bob Dylan when I want to think about my work. Two complete runs of Blonde on Blonde and well into the three volume deluxe Dylan set all I have come up with is 'the pump don't work cos the vandals stole the handle'
Where did I put my brain handle again?
Monday, September 6, 2010
My Pots with At the Batthaus. © Gavin Chillcott 1987 in the background.
I have being spending my Friday evenings at Cloud Farm playing with clay. As you can see from the results above there is no evidence of Celeste's excellent tuition or the fact that Milton Moon was once my art teacher for two years. I am not about to give up my day job!
It's often good to play with other media just to see where it might lead and I have decided that I am probably more suited to decorating tiles than working in 3D. Apart from this I have returned to using collage and papercuts in my work and will post some new images shortly.
Oh, and those are the first poppies of the season from my garden.