Saturday, September 12, 2009

An Artist's Life

It’s the first warm (short sleeves) day of spring so I feel guilty about being indoors at the computer but I had to write this post as it has been in my head since last Monday and threatens to disappear.
Last Sunday night I say writer and former restaurateur Gay Bilson being interviewed about happiness.
For several years she has lived alone in the McLaren Valley, a wine producing area in South Australia. She spends her time gardening, cooking with the local produce, writing and indulging in her favourite pastime, reading. Her book Plenty talks about food and her life.
Lacking any capacity for loneliness, she made the point that it is not an extravagant life in the monetary sense but that she felt that being able to do exactly what she wanted was a source of great happiness. She also said that having plenty of what she enjoyed was a prerequisite for creativity and happiness.
I though that what she said was true and described the life led by a lot of artists. The stereotype of starving in a garret, partying and indulging in excesses is a romantic vision that most artists probably leave behind a few years after graduating.
Later in the week I encountered similar references to an artists life. Joanne Mattera has recently visited the studios of several artists and her post about her visits to Mary and Craig Barnes and Gerald Coble and Bob Nunnelly was filled with pictures of the good life which were remarkably similar to the images of Gay Bilson’s garden and the millions of spring garden images that I long to post on this blog, I hesitate to in case it looks like a gardens illustrated rather than an artist's blog. It’s a dilemma but here is just one image of the spring blossoms in my garden of plenty. What is your artist's life like?

Thursday, September 10, 2009

Great News for Australian Artists and Australian Business

'The Australian Tax Office has confirmed that small businesses are eligible to receive an investment allowance of up to 50% on the purchase of art (over $1000, which includes multiple works regarded as a series, by artists with an ABN) for the 2009 income tax year. The ATO accepted that an art enhanced work environment can generate productivity and that there is a causal relationship between businesses displaying artwork and the income of their clients. Works must be purchased before the end of this year.'

I have known about this for several months but due to the time lag with publishing I am only beginning to see this in print. The above statement is an extract from Art Monthly Magazine Artnotes. More information can be obtained from the Australian Tax Office or your accountant.

We should be shouting this from the rooftops. So if you have a business and like my art work I have an ABN and you can view my works on my website or visit Anita Traverso Gallery in Melbourne

Wednesday, September 9, 2009

Grand Designs

Levelling the Site
Like about half the population of Australia and the UK, I am addicted to the program Grand Designs in which we follow the joys, trials and tribulations people built their dream homes.
I am about to build a new studio in my back garden and, while my budget doesn't run to the architect designed building of my dreams, I have had some input in the design of the prefabricated shed which will be sympathetic to the rural out buildings in the area.
The work started today so stay tuned for the Grand Designs commentary of progress from the architect manque. Kevin McLeod eat your heart out!
I have had a frantic morning removing violets from the path of the bobcat and now hope to spend the afternoon catching up with my blog class.
I might add that the soil is barely turned and I have already issued an invitation to German Artist Maja Spasova, who I made collaborative work with at Ragdale, to come and visit.

Monday, September 7, 2009

Stargazzy


Susan Buret. Stargazzy. 2009. Acrylic on Canvas Board. 457mm x 356mm.

I am one of several women artists invited by Artereal Gallery in Sydney to take part in the Exhibition Tickled Pink which runs from 7 to 31 October 2009. The exhibition is being held in association with Breast Cancer Network Australia a cause very close to my heart.
Stargazzy is my contribution to the exhibition. Once again I have worked with geometric patterns which suggest tile designs and form a screen through which the sky is viewed.


Sunday, September 6, 2009

Eye Candy



I have already mentioned that I have moved to a beautiful part of the world.
Everywhere I look there are beautiful spring colours to inspire and stimulate new ideas for my work and, I don't do landscapes or figurative work!
Today I was watering the irises when I noticed the beautiful colours on their leaves - sage green, blue greys and almost cerulean. I started to think about their Van Gogh's irises with their rich strokes of wonderful colour. Now I cant wait to get into the studio again.
My photographic skills don't really capture what I saw. Who can say painting as an art form is dead when we make work about what we see and think?

Friday, September 4, 2009

Sydney Galleries

John Nixon EPW: Polychrome. Installation view Sarah Cottier Gallery
Matt Calvert. Eye Shadow #1, #2 & #3.2009. Installation sullivan+stumpf Fine Art.
Melinda Le Guay. Bethany. 2009.

Yesterday I went to Sydney to look at exhibitions in some of my favourite galleries. I saw some really beautiful and exciting work and, to my delight, lots of red dots – great news for the artists and galleries involved and very reassuring for all artists.

My first stop was 2 Danks Street.

Scott Baker showed a series of Assemblages using small off cuts of distressed timber and, I think linoleum, to create subtly shifting images which because of their earthy palate suggested landscapes. The works reminded me of other Australian Artists Madonna Staunton, Rosalie Gasgoine and Bruce Reynolds who all work with similar media.

Melinda Le Quay’s exhibition Take Care at Brenda May Gallery featured a series of beautiful pieces knitted from copper wire that cast a delicate tracery of shadows. The knitted cylinders suggested children’s clothes and reminded me of old christening robes. As I am a bit of a knitaholic and made several works at my last residency at Ragdale these works resonated with me.

At Liverpool Street Gallery, one of my favourite exhibition spaces in Sydney there was an exhibition of lush, richly dark beautiful small paintings by Rick Amor.

Then I went to Paddington to two of my favourite spaces there.

At Sarah Cottier Gallery John Nixon’s EPW: Polychrome was a departure from the more chromatically subdued work I usually associate with him.

My visit to sullivan+strumpf Fine Art was the highlight of the day. They had just hung two new shows that were opening last night.

Downstairs Matt Calvert’s Shadows and Doubts comprised a series of animals made from shattered laminated toughened glass and a series of ‘2D’ works which used more toughened glass on etched and brushed aluminium. I scribbled notes on the room sheet. ‘Lovely use of materials exploring innocence and fragility.’ Yum.

Upstairs Laith Mcgregor’s sell-out exhibition ‘Based on a True Fable’ left me in awe of this artists drawing skills and meticulous obsessive execution.

Tuesday, September 1, 2009

Stars My Father Showed Me



Susan Buret. Stars My father Showed Me. 2009. Acrylic and pigmented ink on paper. 78cm x 56.5cm.

I recently received the CD of images from my current exhibition from Carl Warner to whom I am eternally indebted for documenting my often unphotographable works.
This work with it's really sentimental title recalls my childhood memories of lying on the front lawn with my father on a summer's night using star maps to find planets and constellations.
The work is one of my favourites as I love to paint in 'greys' made from mixing Ultramarine Blue with Burnt Sienna. Working with water based media diluted to wash consistency also results in yummy sedimentation. I hope you'll click on the image to see a bigger version that really shows the sedimentation.