Australia was accused of censorship Tuesday after it denied visas to North Korean artists invited to a rare international exhibition of their work, saying their studio is a propaganda tool of their country's communist government.
The following are extracts from an article by AP Writers Rohan Sullivan and Hyang-jin Kim which appeared
in artdaily.org newsletter for December 9 2009.Propaganda or not I think it is sad to see artists denied the right to meet with other artists in an international forum.
The Asia Pacific Triennial is the foremost exhibition of contemporary art for the region. In denying visas to these artists the Australian Government is engaging in the same sort of behavior as the countries whose paranoid censorship it does not condone. The co-curator of the exhibition said the works were nonpolitical, and that letting them be displayed while banning their creators from entering the country so they could talk about them did not make sense.
Five artists from the Mansudae Art Studio were invited to the Asia Pacific Triennial of Contemporary Art in the eastern city of Brisbane to talk about their paintings and drawings that are part of the exhibition, which includes work from more than 100 artists from 25 countries in the region.
North Korea remains one of the most isolated countries in the world, with the average citizen prohibited from accessing the Internet as well as outside phone networks, radio and TV. In recent years, cultural and sporting events have provided the best opportunity for "soft diplomacy." The New York Philharmonic performed in Pyongyang in 2008, while North Korean athletes, from gymnasts to football players, have served as international ambassadors.
Foreign Minister Stephen Smith rejected the artists' applications for an exception to the government's visa ban on North Korea, part of targeted sanctions in response to the country's efforts to build nuclear weapons. In a statement Smith said "The studio reportedly produces almost all of the official artworks in North Korea, including works that clearly constitute propaganda aimed at glorifying and supporting the North Korean régime, "
Some of Mansudae's approximately 1,000 artists devote their time completely to painting portraits of Kim Il
Sung, the late founder of the Stalinist state who handed power to his son and who is the subject of a government-fueled personality cult.
Nick Bonner, a Beijing-based British businessman and art dealer who helped curate the exhibition, said all art studios in North Korea — like most other things in the hardline state — were government organizations, but that did not mean every work was political. One large mosaic depicting a scene in a steel mill is from the socialist realism that is often associated with the country, Bonner said. The rest, including portraits and landscapes in ink or oil paint, were the artists’ individual works. The artists were extremely disappointed in Australia's decision, after spending weeks getting North Korean authorities to approve passports, Bonner said. “For an artist to produce a body of work and not be able to speak about it, that is censorship," Bonner said. Yang Moo-jin, a professor at the University of North Korea Studies in Seoul, said the visit to Australia by the artists could have formed part of international efforts to draw out North Korea, and Canberra should not have banned it.
"I think Australia took that step because it was concerned the exhibition may turn into a site for their political propaganda," Yang said. "But it's too passive an approach on North Korea.”
Australia, one of the United States' closest allies in the Asia-Pacific region, has diplomatic ties with North Korea, but they are prickly. Canberra froze relations in 2002 and imposed limited sanctions and the visa ban in 2006 in response to the North's attempts to go nuclear. North Korea closed its embassy in Canberra last year, citing financial reasons.
